The Renaissance in England

During the eighteenth century, the works of Rousseau and his political and social ideology greatly influenced several artists. The themes of life, liberty and also the pursuit of ownership/freedom were apparent in many art works in the time. A single artist, named the excellent political artist of the time, Jacques-Louis David's, was prone to painting pictures of public morality that would be commissioned by the French federal government so that you can promote their own political ideology. His 1784 masterpiece, The Oath from the Horatii, shows 3 ancient Roman brothers pledging to sacrifice their lives for their country although their relatives sit off in the corner, consumed with sadness.

When major historical events occur in history, they usually create several types of art that either support or criticize the events. Regardless, almost all art is influenced by the society and era in which it is produced. We can see this phenomenon distinctly if we contemplate three numerous eras, where 3 several major events occurred. The three events are: the Reformation; the French Revolution; the Industrial Revolution. By looking at either the art or architecture created inside era of each historical event, we can see the influence on the event on a artist or architect.

The role in the artist and/or architect has not changed all that significantly over the past 400 years. Artists and architects are still commissioned today by patrons who want to influence the style, themes or ideologies inherent in the finished product. We can see that that is the case inside 20th century as soon as we look at the battles the National Endowment from the Arts has when it comes to funding controversial homo-erotic images created by Robert Mapplethorpe. However, we now have noticed artists been influence or harassed by their patrons throughout history. Michaelangelo's painting of the Sistine Chapel is just one this sort of example wherever the finished product or service was a result on the ideology with the times and Church. The jobs is filled with religious and mythological imagery. We have also discussed that the portraits and work of Holbein have been greatly influenced by his becoming the leading artist at the court of Henry VIII and from Protestant religion. His portrait of George Simon compared to his much more realistic sketch drawing greatly expresses the reality that his jobs was influenced by his attempt to preserve his position of influence from the king. Further, we have seen that the works of Corbet and Manet, like people stated above, were an attempt to portray society since it quite was rather than soft-soaping it like the Romantics had done-a direct result with the liberalization of the political ideology with the times during the French Revolution. In a similar manner, the works which are most criticized by the American government with regards to funding from the NEA are the ones that depict less-than-romantic images of modern day American society. Thus, in a way, the role with the artist and architect has not changed-they are still either directly or indirectly influenced in their works by the prevailing social, religious, and political ideologies in the times exactly where they create.

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