Eugenics is the "applied science or the biosocial movement"

Blake had certainly accepted the quest for revolution and was enthusiastic nigh the events in France. In Blake's exposition of the events of the late 1780s "the populate of France inspired by the new zilch of America were awakening to pursue life, liberty, and happiness with all the hydrophobia of a spiritual existence" (Erdman 149). He was, in turn, hopeful enough to believe that revolution and the overthrow of the British grass was also a possibility. In his unpublished verse form The French Revolution the belief that the power of kings had to be withdrawn comes through. The overthrowing of monarchy was an inborn task in Blake's opinion and in the poem about the revolution, Blake "demonstrates that any step taken in behalf of freedom is a step toward the perfect liberty of Eternity" (Paananen 69). Even though that poem was "written when constitutional monarchy was still the most seeming eventuality for France," Blake's politics were strictly republican (Erdman 164).

entirely since that poem was not published Blake was not in communication with his authorized audience, "the fraternity of citizens for whom and of whom he wrote" (Erdman 153). This encouraged the tendency to write in his almost secretive symbolic manner. Blake was justifiably, though somewhat exaggeratedly, panicked of censorship and in poems such as Tiriel he was painstaking about how he phrased his arguments and nam

ed his characters. Without being able to test his position in print, Blake remained sealed that "his own republican thoughts would be considered deeply subversive and total him to the scaffold" but in his artistic self "he remained bold" (Erdman 153). As Blake worked on the poems of the period 1790-1795 he was "among politically sympathetic friends" (Erdman 153). This might have meant that, for those who held radical views similar to his own, the symbolism that was obscure to most people could have much more clarity and relevance.

If it was understood that Tiriel could refer to the English kings as easy as any others, it could also have been understood that the daughters of Albion, who ar encouraged to ignore the fixed human as explained by Bromion and Theotormon and adopt freedom in its place, are all the people of England. The blind acceptance of what passes for natural in the ordering of the world is Bromion's problem and Urizen's goal. It is also worth noting in this context that Oothoon cannot bilk any of these others to understand what she is saying -- Bromion and Theotormon are closed finish to what she suggests. Just as the characters in the poem cannot understand Oothoon's go of freedom, so those who might censor Blake, or worse, cannot penetrate the hide he has drawn over his ideas. In a management it is easy to see how the parallel can exist surrounded by the candor of the sexual discussion in the poem and the frankness with which Blake would have liked to discuss his political ideas as well.

In order for such a metaphor to work, however, the roles of Bromion and Theotormon have to be defined in context. Oothoon can be any idiosyncratic sighing for liberty or she can be collective humanity. But in opposing her Theotormon and Bromion fill different roles -- though two are aspects of Urizen's view of the world. If Oothoon is the spirit of the enslaved longing for liberty, then Theotormon's mother tongue regarding the nature of the world can be interpreted as a s
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