With truthful air jacket, Sam Shepard presents us with the the Statesn heart. It is an image that is utter(a) and fraught with shadows. Jeffrey Hoopers feeling that it is a frightening indictment of America is absolutely true. finished Austin and Lee, we are shown as a mountain muddled in falsehood. Instead of caring closely what we have and reveling in our spiriteds, we are a society that strives for unfeasible dreams. Life is not a spaghetti-western, nor will it ever be.         The vul skunkized fiber of Austin is the neighborhood of us that wants to kibosh rough our mistakes and to live in a dream world. Books take people to some other world, allowing them to look out things they whitethorn neer have the chance to see, to be things they never thought possible and to experience lives they never imagined. It is this that draws people to books, and it is this that draws us to our imaginations. Shepard is not indicting us for ours dreams, but is asking us to go out why we are dreaming. Conversely, the character of Lee represents life at its grittiest. He is the author Austin lives in his screenplays. And he is the reason we, as a society, strive for the spaghetti-western. We want to forget about the harshness of the world. Shepard is begging us to realize it.

        True West does not condemn us for our dreams, nor does it condemn us for our brute(a) realities. What it does do is ask us to reach a compromise. We rotter be rugged drifters with secret desires for Hollywood. Or we can be dreamers with a need for life at its basics. every way, we must recognize those around us and their dreams. For while those spaghetti-westerns may be ! far fetched, they do teach us a a few(prenominal) lessons. Unfortunately, If you want to get a full essay, methodicalness it on our website:
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