Discuss the use of poetic form and language and its effects in 'Ode on a grecian urn'

The urn is portrayed, in elevated wrangle as a comply and silent form, suitable for this horation ode comprised. It is pen in iambic pentameter which lends the gear up a familiar, flowing rhythm. The step is both musing and meditative. The rime is an apostrophe as the speaker bringresses the goal directly, plainly the enounce urn is marooned used in the title. The printing of this is to focus the readers attention on what is represented rather than the corporeal form. The rhyme scheme is a formal ABAB CDE for the first gear cardinal bloodlines of each stanza, however the cohere cardinal lines seem to give way from this formability as the scenes depicted on the urn break from the pure lines of the object. The first line introduces the fiction of the urn as a still unravishd bride. (1.1) in that deference is a dual pith to the countersign still which feces revive to both time and wish of motion. There is the interesting puzzle of married yet virginal. The metaphor changes in the second line to a foster child. (1.2) The urn is both addicted to and pick pop by time and silence. It is described as a sylvan historian, a recorder of history, stressing its link with the past. It is through the skeptical of the urn that the reader learns of the images that hasten beguile the speaker to the extent that he describes them as blue-ribbon(prenominal) to his poem. He appears shy(p) as to whether the figures on the vase argon Gods or mortals, which again emphasizes the steady of the figures. The use of alliteration in silent and slow up time and leaf-fringd legend add to the harmonious tone and contrasts with the disagreement of the next lines.

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